Lou reed most popular songs

The original demo is enjoyable, but the final studio recording benefits from a dazzling glam rock makeover, full of luminous piano arrangements, handclapping, and some incredible backing vocals from producer Bowie. By , Top of the Pops was awash with builders in blouses decked out in tinsel and glitter, but in , the glam rock movement was genuinely subversive, with none more so than Reed. Yet, left up to Reed, the song would never have been a single at all. But Bowie insisted it should be released as the first single, and it seemed his instincts were right. Bowie only came out from behind the mixing desk and revealed himself to Ross after the track had been laid down. Its inclusion in an achingly cool Danny Boyle film was one thing, its appropriation by Heather Small, Tom Jones, Boyzone, Lesley Garrett et al for a BBC promotional film the following year felt like a betrayal, despite the good cause, especially when it crashed in at No 1 in the singles chart. Now, 18 years on from that debacle, the track is once again goosebump-inducingly gorgeous, just as long as you only play it occasionally. Listening to great songs such as Caroline Says or How Do You Think It Feels now makes it almost impossible to understand how the Berlin album received such a muted reception on its release in Critics rounded on it and it sold barely anything, aside from in the UK, where it went silver. Now, though, the rock opera about two junkies sinking into the netherworld of the seedy German city is widely regarded as a maudlin masterpiece, and for good reason.
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If you take all of Lou Reed 's albums as a whole, the man himself has stated, you'll realize he's written the great American novel. We're inclined to agree. The legendary former Velvet Underground lead singer has released a metric ton of solo material since the early '70s, and on the strength of Reed's songwriting, much of it punches above its weight.
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"Dirty Blvd."

Released in , people still consider it either a sick joke, the fulfillment of a contractual obligation or the embryonic beginnings of the avant genre of music known as noise rock. No matter which you pick, it definitely challenges the listener, with 64 minutes of formless feedback spanning "Part 1" through "Part 4. It was also one of four songs Reed performed with David Bowie during the latter's 50th birthday bash in Recorded by Reed for his album of the same name, "Street Hassle" is an minute rock opera broken into three separate and distinct parts: "Waltzing Matilda," "Street Hassle" and "Slipaway. Burroughs-like stream-of-consciousness monologue set to rock music with orchestral backing, it features an uncredited spoken-word section from none other than Bruce Springsteen. That makes "Caroline" technically the first of the two to come out, although they both carry the memorable refrain " It's so cold in Alaska. Lyrically, Reed really puts himself out there on "Coney Island Baby," probably the most tender and emotionally revealing ballad he's ever recorded. A bonus-track version of the song featured on the album's 30th-anniversary deluxe edition reissue was recorded with Doug Yule, who joined the Velvets in following the departure of founding member John Cale. Perhaps a little too normal? Some fans interpret the tune, clearly one of the best Lou Reed songs ever, as a veiled heroin reference, while others note that Reed's never been shy about about explicitly mentioning drugs and consider it an earnest love song.

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Lewis Allan Reed March 2, — October 27, was an American musician, singer, songwriter and poet. He was the guitarist, singer and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. The Velvet Underground was not a commercial success during its existence, but became regarded as one of the most influential bands in the history of underground and alternative rock music. After leaving the band in , Reed released twenty solo studio albums. His second, Transformer , was produced by David Bowie and arranged by Mick Ronson , and brought him mainstream recognition. The album is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, " Walk on the Wild Side ". After Transformer , the less commercial but critically acclaimed Berlin peaked at No. Reed cleaned up in the early s, and gradually returned to prominence with New Sensations , reaching a critical and commercial career peak with his album New York. Reed participated in the reformation of the Velvet Underground in the s, and made several more albums, including a collaboration album with John Cale titled Songs for Drella which was a tribute to their former mentor Andy Warhol. He contributed music to two theatrical interpretations of 19th century writers, one of which he developed into an album titled The Raven.

Actually, there were a few compromises along the way, but some of them are worthwhile too. With John Cale pounding away on the piano, Reed laid out the blueprint for his career: tough, urban, noisy, taboo, poetic. It would serve as a blueprint and inspiration for countless bands in the following decades — but on its release in , with psychedelic sounds seemingly everywhere, the Velvets stood alone, a genre unto themselves.

The song has been covered by R. Is it a science-fiction tale of infidelity and voyeurism, a space-age lullaby, or an allegorical lament? This live version features Reed in full-on bleached-hair speed-freak mode. A tale of lust, death, misogyny, and lies — and it includes a monologue spoken by an uncredited Bruce Springsteen.

This plainspoken song about November 22, , is a well-observed tale on the mundane reality of death. On The Blue Mask, Reed found the musical foil he had lacked for many years: guitarist Robert Quine, who had grown up bootlegging Velvet Underground shows.

On New Sensations , Lou Reed played the role of a fun-loving pop singer — and pulled it off! Reed reunited with his Velvet Underground bandmate John Cale in to do Songs for Drella , an excellent album about their onetime patron, Andy Warhol.

Not a song about a guy having a nervous breakdown, but one about making an egg cream. From Set the Twilight Reeling , this is a sweet serving of Brooklyn nostalgia with a classic Reed guitar hook. Somehow, in the UK, this single went all the way to Number One. Lulu , the album Reed made in collaboration with Metallica, was the most divisive thing he had done since his commercial for Honda scooters. But its best songs were heavy and visceral, showing that at age 69, Reed was still unrelenting. Lou Reed performs at Ahoy in Rotterdam, Netherlands.

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